Microsoft unveils new Xbox One console

Microsoft's Xbox One Unveiled

Microsoft’s Xbox One console unveiled / Image credit: Wired.com

New dog. Old tricks?

Microsoft has just unveiled its all-new Xbox One console, which hearkens back to the era of the original Xbox, both aesthetically and in terms of no-nonsense, bare-knuckle functionality. It also appears to have perfected the streamlined Xbox Live interface (recently seen all over the world, nearly perfected, in the form of Windows 8′s touchscreen menu) and cross-platform connectivity that made its predecessor, the 360, such a huge success despite the infamous Red Ring of Death and various other unfortunate kinks.

They describe the Xbox One as follows:

Simple. Instant. Complete.

Xbox One is a state-of-the art gaming console, a new
generation TV and movie system and a whole lot
more. Gone are the days of switching inputs on your
TV to play a game or watch a movie. With Xbox One,
you can quickly jump from TV to movies to music to
a game. Just with the sound of your voice.

(via Xbox.com)

I, for one (One? Get it?), think the new hardware looks incredible. The Xbox 360 is one of the great tragedies of modern gamer/geek tech: a near-perfect system that dies and is reborn, and then insists on dying all over again of various ailments brought on by even casual levels of use. Let’s hope this new bad boy holds up as well as the original Xbox — mine’s at least ten years old, and still runs like a champ. Can’t say the same for my (refurbished) 360, sadly. Maybe I should hook it up one of these days and get some more enjoyment out of it before the launch of Xbox One.

Militant Baker writes a letter to Abercrombie & Fitch CEO

Bravo to “Militant Baker” blogger Jes, who wrote the following letter (images probably NSFW) to Abercrombie & Fitch CEO Mike Jeffries, in response to his hateful comments regarding body image — published in Salon circa 2006, but which recently went viral (thanks to author Lidia Yuknavitch for sharing Jes’s link on Facebook):

Hey Mike,

I know you’ve been flooded with mail regarding your comments on sizeism, but I wanted to take a second to write you about a project I’ve been working on.

As a preface: Your opinion isn’t shocking; millions share the same sentiment. You’ve used your wealth and public platform to echo what many already say. However, it’s important you know that regardless of the numbers on your tax forms, your comments don’t stop anyone from being who they are; the world is progressing in inclusive ways whether you deem it cool or not. The only thing you’ve done through your comments (about thin being beautiful and only offering XL and XXL in your stores for men) is reinforce the unoriginal concept that fat women are social failures, valueless, and undesirable. Your apology doesn’t change this.

Well, actually, that’s not all you have done. You have also created an incredible opportunity for social change.

Never in our culture do we see sexy photo shoots that pair short, fat, unconventional models with not short, not fat, professional models. To put it in your words: “unpopular kids” with “cool kids”. It’s socially acceptable for same to be paired with same, but never are contrasting bodies positively mixed in the world of advertisement. The juxtaposition of uncommonly paired bodies is visually jarring, and, even though I wish it didn’t, it causes viewers to feel uncomfortable. This is largely attributed to companies like yours that perpetuate the thought that fat women are not beautiful. This is inaccurate, but if someone were to look through your infamous catalog, they wouldn’t believe me.

I’ve enclosed some images for your consideration. Please let me know what you think.

A note: I didn’t take these pictures to show that the male model found me attractive, or that the photographer found me photogenic, or to prove that you’re an ostentatious dick. Rather, I was inspired by the opportunity to show that I am secure in my skin and to flaunt this by using the controversial platform that you created. I challenge the separation of attractive and fat, and I assert that they are compatible regardless of what you believe. Not only do I know that I’m sexy, but I also have the confidence to pose nude in ways you don’t dare. You are more than welcome to prove me wrong by posing shirtless with a hot fat chick; it would thrill me to see such a shoot.

I’m sure you didn’t intend for this to be the outcome, but in many ways you’re kind of brilliant. Not only are you a marketing genius (brand exclusivity really is a profitable move) but you also accidentally created an opportunity to challenge our current social construct. My hope is that the combination of these contrasting bodies will someday be as ubiquitous as the socially accepted ideal.

Ever so sincerely,
Jes

P.S. If you would like to offer me a “substantial amount” to stop wearing your brand so my association won’t “cause significant damage to your image”, don’t hesitate to email me. I respect you as a business man, and my agent and I would be happy to contribute in furthering your established success.

P.P.S. You should know your Large t-shirt comfortably fits a size 22. You might want to work on that.

(via The Militant Baker)

2012 Nebula Award Winners

Tor.com has the final list of Nebula Award winners (along with the nominees). Winners are bolded at the tops of their respective categories. Congratulations to all the nominees. Wish I’d kept up with the science fiction and fantasy short fiction digests better over the past year and a half, but I’ve been trying to read more widely, with a bigger focus on novels and comics. That said, I’ve got a lot of good short fiction on my shelves waiting for me as of this writing, so hopefully I’ll get caught up soon. Meantime, congratulations to the 2012 Nebula Award winners:

Novel:

  • 2312, Kim Stanley Robinson (Orbit US; Orbit UK)
  • Throne of the Crescent Moon, Saladin Ahmed (DAW; Gollancz ’13)
  • Ironskin, Tina Connolly (Tor)
  • The Killing Moon, N.K. Jemisin (Orbit US; Orbit UK)
  • The Drowning Girl, Caitlín R. Kiernan (Roc)
  • Glamour in Glass, Mary Robinette Kowal (Tor)

Novella:

  • After the Fall, Before the Fall, During the Fall, Nancy Kress (Tachyon)
  • On a Red Station, Drifting, Aliette de Bodard (Immersion Press)
  • “The Stars Do Not Lie,” Jay Lake (Asimov’s 10-11/12)
  • “All the Flavors,” Ken Liu (GigaNotoSaurus 2/1/12)
  • “Katabasis,” Robert Reed (F&SF 11-12/12)
  • “Barry’s Tale,” Lawrence M. Schoen (Buffalito Buffet)

Novelette:

  • “Close Encounters,” Andy Duncan (The Pottawatomie Giant & Other Stories)
  • “The Pyre of New Day,” Catherine Asaro (The Mammoth Books of SF Wars)
  • “The Waves,” Ken Liu (Asimov’s 12/12)
  • The Finite Canvas,” Brit Mandelo (Tor.com 12/5/12)
  • Swift, Brutal Retaliation,” Meghan McCarron (Tor.com 1/4/12)
  • Portrait of Lisane da Patagnia,” Rachel Swirsky (Tor.com 8/22/12)
  • “Fade to White,” Catherynne M. Valente (Clarkesworld 8/12)

Short Story:

  • “Immersion,” Aliette de Bodard (Clarkesworld 6/12)
  • “Robot,” Helena Bell (Clarkesworld 9/12)
  • “Fragmentation, or Ten Thousand Goodbyes,” Tom Crosshill (Clarkesworld 4/12)
  • “Nanny’s Day,” Leah Cypess (Asimov’s 3/12)
  • “Give Her Honey When You Hear Her Scream,” Maria Dahvana Headley (Lightspeed 7/12)
  • “The Bookmaking Habits of Select Species,” Ken Liu (Lightspeed 8/12)
  • “Five Ways to Fall in Love on Planet Porcelain,” Cat Rambo (Near + Far)

(via Tor.com)

Damon Lindelof apologizes for gratuitous skin in Trek 2

@DamonLindelof concedes that the underwear scene in Star Trek Into Darkness was “gratuitous”


Defense Distributed forced to go dark

The Guardian reports that Defense Distributed, an open-source advocacy group for the distribution of 3-D printed firearm blueprints, has been muscled into closing up shop by the U.S. State Department:

The US government has blocked a Texas-based company from distributing details online of how to make a plastic gun using a 3-D printer.

The ban, by the State Department citing international arms control law, comes just days after the world’s first such gun was successfully fired.

Defense Distributed, the company that made the prototype, stated on Twitter that its project had “gone dark” at the instigation of the government.

The company is run by Cody Wilson, a 25-year-old University of Texas law student who has said the idea for freely distributing details about how to produce the guns online was inspired by 19th century anarchist writing. Wilson argues everyone should have access to guns.

A State Department spokesman said: “Although we do not comment on whether we have individual ongoing compliance matters, we can confirm that the department has been in communication with the company.”

The action came too late to prevent widespread distribution of the files: Defense Distributed told Forbes that the files have already been downloaded more than 100,000 times in the two days since they were uploaded. The largest number of downloads initially were to addresses in Spain, followed by the US, Brazil, Germany and the UK.

Fifteen of the gun’s 16 pieces are constructed on the $8,000 Stratasys Dimension SST 3D printer, Forbes said. The final piece is a common nail, used as a firing pin, that can be found in a hardware store.

(via The Guardian)

To be honest, I’m not terribly surprised. I’m not much of a firearms aficionado myself, tending to favor pacifism and reasoned discourse to lethal violence — but let’s face it, Defense Distributed isn’t the enemy. If anything, they’re what some (Texans, for instance) consider to be the natural response to rising gun violence.

Democratized defense is a noble idea, maybe; they just want to have their constitutional rights upheld through the sharing of information, open-source style. What’s terrifying about the 3-D printing revolution isn’t that more people will have guns in their homes, because I don’t think the growth of firearm manufacture or distribution will necessarily rise by any significant factor, but rather that such weapons will be by definition far more difficult to trace back to the point of purchase — because they might very well be dashed off in somebody’s basement, right next door.

Without a record of sale, it kind of makes me wonder how many people will get away with murder thanks to this mentality of a constant need for “self-defense.” The fact that over 100,000 instances of the blueprint files have been downloaded means that they’ll stay on the net somewhere, or at the very least on unconnected hard drives across the nation, and continue to propagate despite relevant lawmaking. The State Department definitely has their work cut out for them, if they hope to enforce the ban with any degree of earnestness.

“War Dogs”

“War Dogs” appeared originally in the e-book collection In the Arms of Lachiga: Stories, published electronically on Kindle in March 2013. The story is reproduced below in its entirety.

War Dogs
by Alex Kane

At the promise of “a treat,” Ghost obeys his handler and leaps into the backseat of the idling jeep, where a thorough inspection reveals no such reward. He sniffs at the air a moment, still hopeful, but detects only the faint aroma of sizzling pork, carried on the wind from a hundred meters distant. Two more dogs stand in the vehicle’s rear bed, stirring anxiously, whining: Tjodie, a female German Shepard, and another Husky named Babak, whose fur is much darker than Ghost’s.

The jeep speeds across town, and he breathes in the cool night air, seeking olfactory intel. He doesn’t recognize the area where they slow to a stop.

All three dogs are set loose at the end of an unlit alley, and ordered, “Go get it, boys. You too, big girl.” Ghost jumps out, and turns back to eye his handler, who nods permission. The air here tastes wet, and smells of motor oil, spoiled food, and other garbage.

A bright red triangle appears in the center of his vision, then drifts away toward some unseen target, marking it with a sudden alluring scent of its own, and an urgent sense that Ghost ought to seek it out.

He trots through the shallow puddles of rainwater that shine across the entire surface of the alley, his nose to the ground and the scent of the indicator growing stronger.

Tjodie and Babak follow, stopping occasionally to raise their noses and investigate the air.

Whenever he looks at the others, Ghost notices, a cloud of light hangs over them. A mess of dancing, meaningless symbols and a three-dimensional visual of their drumming hearts.

The red triangle becomes larger as they approach a spotlighted door at the end of the alley, and once they reach it, the triangle seems to hover directly in front of the building, as if beckoning them to enter.

It occurs to Ghost that something of importance is waiting inside. A buzzing in his skull, barely noticeable except for a resulting tickle in his ear, seems to reassert and amplify this hunch.

He plants his rear momentarily on the blacktop, and scratches at his ear with a moist paw, feeling a sliver of scar tissue along the back of his head. He turns back at the others, who have disappeared into the shadows along either side of the alley. Ghost eyes the door, and barks at it.

A few seconds later the front door opens, and an armed biped steps outside.

“Hey there, boy,” he whispers, then whistles. “C’mere.”

Something suggests to Ghost: threat. From both flanks, Tjodie and Babak pounce on the biped, first taking him down by surprise and then dispatching him with swift, powerful bites to the throat. The threat flails its arms at them, twitching for a moment, and then falls still, silent.

He never gets a shot off. For this, Ghost is thankful.

Now that the door is open, all three dogs run inside, with Tjodie taking the lead. Inside the smell of the triangle grows less dominant, and instead Ghost notices the smells of rotting wood and something like gunpowder—probably more rifles like the neutralized biped’s, or some kind of explosive. Pharmamines, maybe.

Either way, Ghost barks the suggestion that they should move quickly: Get in, get out.

Tjodie points with her snout toward a staircase drenched in shadow, barely visible in the room just beyond the foyer.

She leads the way, and Babak follows. Ghost watches behind them for resistance.

At the top of the stairs, they come upon a closed door with light spilling out from beneath and onto the splintery hardwood of the hallway.

Tjodie raises a paw, scratches at the door.

There is a murmur from inside, and then the door swooshes open.

Shit, Nina,” says the biped at the door. “We got dogs! Dogs!”

Tjodie lunges forward, and knocks the threat to the floor. Another biped inside—a female looking suddenly very protective of her mate, by Ghost’s estimation—grabs her rifle, and opens fire on Tjodie. Flashes of gunfire tear apart first her skull, and then the side of her ribcage.

She whimpers in defiance, then drops, shuddering a moment before lying motionless.

Babak growls an angry warning at the biped on the floor before darting inside, tackling the female who’d gunned down Tjodie. Without pause, he chews open the female’s throat, and barks a cry of Pyrrhic victory.

Ghost turns to eye the male biped, still trembling on the floor, unarmed. Ghost pads softly toward the creature, wrapped in a woolen coat and wearing a pair of glass lenses over his brilliant white eyes.

He lowers himself so that they’re face to face, and growls furiously: run, vermin.

The beast struggles to right himself, then staggers down the hall and downstairs.

There’s a quiet chiming deep in Ghost’s ear, and then the red triangle reappears in his field of vision, just above a backpack in the corner of the room. Before he can go after it, Babak snatches it in his teeth, and the red indicator winks, then fades. Ghost feels a sensation wash over him, which feels as if he has just eaten a large and satisfying meal, or been rewarded for success.

He glances over toward their fallen pack member, whose fur is caked with crimson. Babak comes up alongside him, and they nudge her gently with their noses, taking in her scent to serve their memory, and willing her to rise.

She doesn’t move.

Ghost descends the stairs slowly, feeling defeated despite their having retrieved the package they’d been sent to find, and Babak follows, the backpack clutched in his teeth.

The war dogs’ handlers are waiting for them two kilometers east, made recognizable by the yellow outline of the groundcar he spots in the distance, even through walls of brick and concrete and steel. Ghost howls a greeting, his head held up into the chilly, foul breath of night, and heads toward the extraction point, rainwater soaking his tired paws.

Star Trek Into Darkness racebending controversy

There be spoilers ahead, folks — you’ve been warned. To be honest, I really dug the new Trek film, Into Darkness. It got at some relevant political issues that I’m gonna delve into in my next Amazing Stories column, it delivered the kind of adventure and excitement that you’d expect from a high-budget J. J. Abrams flick, and the story held together fairly well despite all the chaotic action sequences and twists along the way. But I’m curious to hear more opinions on the perceived whitewashing of the Khan character, which has really upset a lot people, and minorities in particular. I get that Cumberbatch is an in-demand actor right now, given the success of his BBC Sherlock series and his undeniable chops. (His performance in Into Darkness is a testament to his tremendous talent.) But you have to wonder what other motivations might have been at play in the casting decision.

We’re all cynical and jaded enough to know the standard dismissal when it comes to matters of media representation: Paramount Pictures and most film studios are not interested in diversity or visibility, they only care about the bottom dollar. Star Trek as a franchise is too much of a juggernaut to affect with boycotts. There are too many people who love it, who love those characters and that world, and will go to see the movie.   And for some of these people, this devotion to the idea of a future where even South and East Asian men get to pilot a starship and love swashbuckling, where Black women make Lieutenant on the Enterprise and actually get the boy, will be trivialized and eroded and whitewashed when the most formidable and complex Star Trek baddie becomes a white man named Khan.

[...]

As I said, this racist whitewashing of the character of Khan won’t affect how much money this Trek movie makes. And I’m happy that the franchise is popular, still popular enough to warrant not only a big-budget reboot with fantastic actors but also a sequel with that cast. I’m happy that actors I enjoy like Zoë Saldaña and John Cho are playing characters who mean so much to me, and that they, in respect for the groundbreaking contributions by Nichelle Nichols and George Takei in these roles, have paid homage to that past.

But all of that will be marred by having my own skin edited out,  rendered worthless and silent and invisible when a South Asian man is portrayed by Benedict Cumberbatch up on that screen.  In the original Trek, Khan, with his brown skin, was an Übermensch, intellectually and physically perfect, possessed of such charisma and drive that despite his efforts to gain control of the Enterprise, Captain Kirk (and many of the other officers) felt admiration for him.

And that’s why the role has been taken away from actors of colour and given to a white man. Racebending.com has always pointed out that villains are generally played by people with darker skin, and that’s true … unless the villain is one with intelligence, depth, complexity. One who garners sympathy from the audience, or if not sympathy, then — as from Kirk — grudging admiration. What this new Trek movie tells us, what JJ Abrams is telling us, is that no brown-skinned man can accomplish all that. That only by having Khan played by a white actor can the audience engage with and feel for him, believe that he’s smart and capable and a match for our Enterprise crew.

What an enormous and horribly ironic step backwards. For Star Trek, for media representation, and for the vision of a future where we have transcended systemic, racist erasure.

(via Racebending)

I don’t know if Paramount’s motivations are really as heinous as the article suggests, but that’s not really the point. I, for one — even as a huge fan of the film — can’t help but wonder where the hell all the new, original science fiction films are. Why the obsession with brand familiarity and reboots? I know it’s a dead horse by now, and the proof is in the box office data, but why not take a chance on an original premise? Something new, exciting, and maybe even with a person of color in the lead role?

Guillermo del Toro’s Pacific Rim looks promising in this regard, with Idris Elba in a lead role, but seriously: Where are all the non-white badasses out there in space? Why did Brad Pitt have to land the lead in World War Z, much as I love the guy’s acting? I’m so sick of minority roles being restricted to “brooding mentor figure,” or “supporting actress/love interest.” Where’s the Miles Morales incarnation of Spider-Man? Might Neill Blomkamp or Duncan Jones consider casting Anthony Mackie or Jamie Foxx as the lead in their next big-budget science fiction epics? Hell, give Saldana or Kerry Washington a shot at saving the day. Matt Damon’s better suited for quiet Van Sant flicks like Promised Land anyway.

My rant isn’t even concerning the choice of Cumberbatch as Khan, really. What pisses me off about Hollywood is not that they’d make a terrorist villain white — it’s that the swashbuckling, troubled hero, i.e. Captain Kirk, is almost always some blue-eyed, blond white guy who fits the current status quo of sexual attractiveness. I’d like to think that the future will be populated by real people, some day, instead of just GQ models galore.

Classic Roger Zelazny books for sale on eBay


As I mentioned in yesterday’s Clarion West fundraising update, my auction has been going fairly well. Especially thanks to the generous book donations I’ve received from folks like Trent Zelazny and Clarion West alumnus Helen Marshall. I’ll continue to add books of various genre and vintage as the next few weeks go on, so keep checking back at my eBay listings page (username “Holy Warmaster”) for new arrivals. Every penny will go toward my Clarion West tuition, travel expenses, and paying bills and loan payments during my unpaid leave from work. Thank you, guys. The response has been awesome. I’m humbled and grateful.

Google Glass as hands-free mobile AR tech alternative

This is an interesting position on the smartphone-to-Glass AR tech evolution, from Google’s own Sergey Brin. I definitely think he’s on to something with the limitations imposed by a hand-controlled, touchscreen device that requires focused attention and unnatural posture. Instead, why not let your eyes and body seamlessly open up the world that exists between the digital realm and the physical one? I think he makes a valid, succinct case:

(via TEDTalks)

Jarring our zones of familiarity

Maria Bezaitis advocates for innovation through the breaking down of homogeneity and sameness in our everyday relations and interactions, which I see as being largely a Cyber-Age phenomenon, and a pretty positive one:

(via TEDTalks)